test archive base

SUMMER’S OVER… AND SO ARE SOCIAL TRENDS! 

Is it time to rethink our approach to social trends

By Sam Coleman

Friday, 13th of September 2024

While marketers and social agencies chase down the new social trend, the Holy Grail feels as mythical and ethereal as ever. If this summer has proven anything, it’s that we need to rethink our approach to social trends.

Trends vs. Shifts: A Crucial Distinction

It’s time we start differentiating between social trends and social shifts. Trends are like summer flings — exciting but short-lived. On the other hand, social shifts are the tectonic movements that are shaped by behavioural, attitudinal, and algorithmic changes that require our attention.

The Folly of Trend Chasing

Trends, by their nature, are transient and temperamental. Admittedly they are often spawned from a real-life cultural moment. Spending the time to uncover the causation behind the trend is certainly worthwhile. However, jumping on a bandwagon trend for the sake of it will usually result in very little value whatsoever.

Why? Because by the time you’ve noticed more than one brand jumping in, it’s already too late.

And by the time the US presidential candidate references ‘Brat Girl Summer’, you know the trend is over!

In fact you could argue that brands are contributing to the fleeting nature of trends. The general public are social-media savvy, and if it looks like brands are getting involved to garner a few extra views….the trend dies. It’s been snatched from the people that created it.

Brands can of course be part of, and even shape culture, but trying to capture the cultural zeitgeist by blindly running from one social trend to the next is not a strategy for success.

The Underdog Advantage

The brands that do succeed are often smaller organisations where it feels less capitalistic. Take the current trend, ‘letting our Gen Z colleague write our marketing script’. Aside from Currys who did achieve first mover advantage; it’s zoos, museums and other local non-for-profit organisations that get it right.

These smaller companies have far more good will over their big global counterparts, and they can also move much faster. Their risk versus reward nearly always shows upside for the smaller guys. Getting it right means incredible coverage and awareness. Getting it wrong, won’t wipe millions from their market cap or lose a huge amount of credibility for the brand.

Embracing Social Shifts

Unlike trends, social shifts are longer-term changes that fundamentally alter how we create and distribute content on social platforms. Understanding these shifts can give our clients a competitive edge.

Here are a few current examples:

TikTok Evolution: Understanding TikTok’s move to social selling and search, and how your brand can be discovered ensuring you stand out versus your competitors

Passive Consumption: If the UK adult population isn’t posting as much, what does this mean for branded content?

Algorithm Changes: The IG algorithm now favours content shares and DM activity over likes and engagement, significantly impacting the content we are creating for our clients

Video Editing: How a video is produced and edited can significantly affect its performance. Proprietary AI technology analyses social video efficacy to incredible levels of granularity. For example, which are the most effective camera angles or best backdrops in a certain scene to improve performance.

So as the seasons change, it’s time to leave behind those transient trends and focus on the social shifts that will have far more impact on your business…

Or (shameless plug) contact THE FIFTH for help sam.coleman@thefifthagency.com

Yesterday, the free streaming platform, UKTV Play, rebranded to U, and we’re delighted to have been part of the journey.

Needing to drive mass awareness of U’s new brand in a crowded streaming space, our campaign is all about showing up on social media in the moments our audience are searching ‘what to watch’, responding with U’s huge range of content and personalised suggestions, and helping our audience find exactly what suits them.

Produced alongside our in-house production agency, Studio 5, the campaign will see 22 pieces of content go live across TikTok and Meta throughout July. Featuring award winning megastar Louise Boyce as our recommender-in-chief, scroll-stopping cameos from other top creators, and more viewing recommendations from TikTok’s top-searched TV creators, this campaign will leave you in no doubt that U has something for you to sink your teeth into.

“Bringing ‘#WeGotU’ to life through talent-first social content, we are revolutionising how our audience discovers what to watch. Strategically leveraging top-ranking TV influencers and key search terms, we are answering cries for perfect show recommendations and showing our audience the best place to watch them. We recruited our influencers to stop the scroll with playful content offering curated suggestions for every craving. From Vox-Pop style street recommendations through to reactive show suggestions, we’ll showcase the incredible variety of free shows available on the U platform, proving that ‘#WeGotU’ is more than a tagline—it’s U’s unwavering commitment to their audience’s entertainment satisfaction.” Candice Green – Creative Director.

The rebrand sees a fully integrated campaign from The Fifth, Havas, Taylor Herring PR and U’s internal marketing teams; the biggest and most important marketing campaign in UKTV’s history. With word of mouth being a key drive in U’s launch strategy, we knew that we had to go BIG with our social and influencer campaign – especially when the TV advert features the one and only Cher.

Untitled design (4)

LAUNCHING STUDIO 5, OUR FULL-SERVICE CREATIVE PRODUCTION STUDIO

Wednesday, 12th of June, 2024

The new division was formed after we brought the celebrated creative production and artist representation agency Studio PI into our portfolio late last year. 

Studio 5 will offer a comprehensive suite of visual production services spanning live-action video, photography, animation, illustration, graphic design and experiential production. 

Rooted in Studio PI’s commitment to inclusion and representation, Studio 5 centres around a set of core commitments, including the discovery and platforming of new diverse talent, inclusive crew sourcing, an empathy-led shoot culture, the creation of professional pathways for underrepresented creatives, and upskilling initiatives.

“At THE FIFTH, we’ve always been committed to engaging diverse creators and promoting inclusion in the influencer marketing space,” said Oliver Lewis, CEO of THE FIFTH. “With the launch of Studio 5, we’re doubling down on that mission and bringing industry-leading creative production capability in-house. Studio 5’s resources will allow us to create even more culturally impactful content for our clients.”

Darren Sital-Singh, Managing Director of Studio 5, previously of Studio PI, added: “I’m thrilled to integrate our production capabilities into THE FIFTH as we formally launch Studio 5. Together, we’ll combine our passion for inclusivity with best-in-class creative execution to deliver genuine, narrative-driven branded content that moves audiences.”  

The 2024 Hollywood Diversity Report revealed that only 22.9% of film directors identify as a person of color and less than 10 percent of creatives in the UK are from a working class background. While the UK’s creative economy generates more than £12 million per hour, the value is captured by a minority. A small homogenous group captures a disproportionate percentage of senior creative roles. The lack of representation has created a gap in the industry. Without lived experience behind the camera, brands struggle to tell resonant stories with niche audiences.

“There’s a huge opportunity for brands to better connect with diverse audiences by embracing authentic voices and perspectives in their marketing,” said Lewis. “Studio 5’s representation-first approach to production will allow us to craft culturally attuned campaigns that drive real brand affinity.”

The Studio 5 launch expands our end-to-end influencer and social marketing capabilities, which span influencer partnerships, social strategy, creative, campaign execution, paid media, measurement and innovation.

Check out Studio 5’s website here

TOMMEE TIPPEE APPOINTS SOCIAL CREATIVE AGENCY, THE FIFTH.

Tommee Tippee, the brand whose innovative designs make caring for babies easier, simpler, and more instinctive, have chosen THE FIFTH as their social creative agency to create social content for their platforms.

Tuesday, 14th of May, 2024

The appointment comes as Tommee Tippee looks to be the ultimate parent care brand, liberating parents’ intuition through empathetic design and being renowned as a ‘cultural powerhouse’ in the parent care space.

Ensuring Tommee Tippee’s social channels are a place where parents can find answers, support, and connect with others, The Fifth will work closely with the brand across both their UK & US social presence to be there for the parents! With real parents as the heart and soul of their channels, instilling confidence and empowering them to trust their intuition, supported by the smart design of Tommee Tippee products.

Oliver Lewis, founder and CEO of THE FIFTH said of the appointment, “We’re thrilled to have been appointed as Tommee Tippee’s social creative agency; we’ll work with them to apply our expertise of cultural understanding within social and influencer marketing. We can’t wait to help their next stage of growth in becoming the go-to brand for millennial and Gen Z parents.” 

Candice Green, Creative Director, added: “It’s incredibly exciting to be working with a brand who understands the importance of using TikTok creatively to become a cultural powerhouse. We can’t wait to start our work together, applying our unique approach to creating influential content to seamlessly integrate Tommee Tippee into the first hand experiences of their audience.”

Nicola Wallace, Head of Global Brand Communications at Mayborn Group Limited 

“Tommee Tippee has chosen The Fifth due to their unique ability to harness the power of both creativity and social search behaviour. This ensures that our social content not only captivates our audience by directly responding to them but also drives meaningful engagement, maximising our brand visibility and impact across platforms.”

How Social Turned the Stanley Cup into an Influencer Icon

STANLEY SALES HAVE BLOWN UP TO £750M. HOW DID WE GET HERE?

By Chiara Yeomans and Bella Hales

Wednesday, 31st of January 2024

Wisteria, Orchid, Lilac, Cloud, Tiger-Lily…@doesnttiktok kicks off. But this isn’t your typical baby name brainstorm; instead, this TikToker is actually naming all 120+ of her beloved Stanley Quenchers. Holli Silva is just one of the hundreds of women all over the globe proudly documenting their ever-expanding Stanley collections, and the craze doesn’t seem to be dying down anytime soon. Just recently, a viral clip showing customers fighting to claim their very own exclusive Valentine’s Day Stanley Cup took over our TikTok FYP, sparking a whole conversation about consumerism and the sway of influencer marketing in the social media realm. 

But it didn’t start off so cute. Back in 2016, the Stanley 40oz Quencher model was introduced by the brand it wasn’t an instant hit. Traditionally, Stanley products were targeted at workmen, with the marketing being directed at those who enjoy outdoor activities like camping. In 2012, Stanley mentioned that its products resonated with “a 30-year career veteran policeman” and “a retired Army soldier.” 

That was until ✨social media✨ stepped in. Fast forward to 2023, and the #StanleyTumbler has over one billion views on TikTok and the tumbler found itself as now one of Gen Z’s most in-demand Christmas gifts. This newfound popularity among Gen Z and Millennial women certainly stands in stark contrast to the brand’s original target audience.

So, what happened to cause this shift? 

There are four things we accredit to this development, so let’s dive into them

@thefifthagency Read our new trendsetters piece ‘How Social Turned the Stanley Cup into an Influncer Icon’ to find out how Stanley got to this point✨✨ #stanleycup #thatgirl #agencytiktok #socialmediaagency #london #workhumour #officetok ♬ That Gworl - ADVNCE

INFLUENCER MARKETING

In 2017, the Stanley Cup had limited recognition among female Gen Z and Millennials. This was also around the time when influencer marketing really started to build momentum, which has since evolved into the thriving multi-billion-pound industry we are (very) familiar with today. 

The turning point came when the Stanley 40oz Quencher garnered organic exposure on The Buy Guide, a shopping blog by Linley Hutchinson, Ashley LeSueur, and Taylor Cannon. These influential women, avid fans of the product and genuine believers in its quality, gave it a glowing review and introduced it to their predominantly female audience. Despite being available in limited quantities on Amazon, every mention led to a swift sell-out, revealing the product’s unexpected popularity among millennial women—an untapped consumer group for the brand.

However, this success faced a setback when Stanley decided to discontinue selling the product altogether. Recognising its potential, the three women took matters into their own hands and started gifting mumfluencers on Instagram, and word-of-mouth quickly spread. Women loved the product and couldn’t get enough of it! The ladies behind The Buy Guide said  it took a while to convince the brand just how much spending power and influence Millennial women have on social media, but Stanley eventually took a leap of faith, and the rest is history.

CONSPICUOUS CONSUMPTION AND SOCIAL MEDIA

Despite Gen Z and Millennials being fairly educated on the future of our planet and the effects of unsustainable consumption, it seems the impact of social trends and the desire to fit in online are still having a huge impact on the way we shop. Stanley claims their productswill last a lifetime when properly cared for” with a #BuiltForLife ethos, yet consumers are purchasing multiple versions of the same cup in different colours and styles. In line with this ethos, consumers should only really need to buy up to two Stanley cups in their lifetime. So why do people feel so compelled to buy the newest version of a cup they already own? 

This is due to the way social media markets this cup towards Millennial and Gen Z audiences. The Stanley Cup is now positioned not just as a practical addition to our lives but as a symbol of an aspirational lifestyle. Priced at around £45, it stands higher in cost compared to similar products in the market. Considering the dynamics of social status, consumption trends, and the overarching influence of social media in selling a curated lifestyle, the Stanley Cup has seamlessly carved its niche. The frenzy around it taps into the fear of missing out, creating a sense that not having this product, not stocking up on the newest iteration and exclusive colour-way, means missing out on the lifestyle that it represents. 

Let’s look at @kaelimaee as a prime example of this. Kaeli’s whole presence on social media has been meticulously crafted around living an ‘aesthetic’ lifestyle. Just one glance at her specially curated TikTok feed, and you’re left feeling like you want to get your life together! She’s amassed 14.8M followers on the platform and, of course, the Stanley cup takes centre stage in many of her videos, implying that it’s not just a product, but a lifestyle essential, and that you too should buy one if you want to emulate the ‘perfect’ lifestyle depicted by Kaeli. 

Stanley caters for everyone, with nearly all of their products being customisable with either text, monograms or graphics – not to forget the 26 colours the quencher comes in. This level of customisability has garnered attention from the likes of Molly-Mae, who recently posted her nails matching her Stanley cup. An organic post of this nature is something hundreds of brands would pay a large sum of money for – so this really shows just how popular Stanley has become today!

IMG_6781

(Screen-shot taken from Molly-Mae’s Instagram Stories)

VIRAL MOMENTS

Stanley walked right into a dream PR scenario last November. @Danimarielettering, posted a now-viral TikTok video of the remnants of her car after a fire, where just her Stanley 40oz Quencher survived the flames. The water inside the cup was still ice cold. While Stanley’s whole ethos is built on being #BuiltForLife – which we wouldn’t say was a largely known tagline. This video led to over 95.2 MILLION people being enlightened about the product’s durability. TikTok’s largely younger audience now knew that Stanley was not only socially ‘cool’, with its varying models and colours to choose from, but actually a quality product that’s worth investing in.

“Your brand is your public identity, what you’re trusted for” Lisa Gansky (American entrepreneur and author)

The Stanley team really took advantage of this situation, showing just how much their social media strategy has evolved over the years. The president at Stanley, Terrance Riley, publicly sent Dani a whole new collection of Stanley products alongside a brand new car! This naturally gave them some hugely positive PR. We guess this part of Stanley’s rise is part down to luck  (while also seeing an organic opportunity and creating reactive content in response to it), and part down to the actual benefits of the product itself. Humanising a brand is so important, something which Sam Mehrbod, contributor to Forbes encapsulates

“People want to do business with those they know, like, and trust, and building a personal connection with your audience can help to achieve this. Your personality and values humanise your brand, making it relatable and more appealing to potential customers.” 

And it is clear here that this is something that the Stanley team have mastered. 

@danimarielettering What a journey, thank you all sooo much for being here for it. I cant say it enough, this wouldnt have happened without every single one of you. Love you and @Stanley 1913 ♬ The Champion - Lux-Inspira

DROP CULTURE

YouTuber and historian @philedwardsinc believes people are missing a key component when analysing Stanley’s success, and that is Terrance Riley, the Stanley president himself. 

When looking at Riley’s career history and successes, it is understandable why Edwards thinks the success was more down to a well-planned strategy than simply luck. Terrance was previously head of marketing at Crocs, where he built the brand from a simple outdoor shoe into an iconic fashion statement, where collaborations with brands like Levi’s and PALACE were the norm and people like Post Malone were the average fans. All of which was achieved through his ability to make the drop style culture of sneakers work for Crocs where collaborations with top industry names were frequent…and who’s to say he didn’t do the same with Stanley.   

With the help of Terrance, Stanley began collaborating with bigger iconic names “albeit influencers of different styles” to create limited edition collections. Take the Lainey Wilson collaboration for example, a country singer from Tennessee with a dedicated fanbase, yet completely unrelated to the traditional target audience of Stanley, allowing them to explore new spaces and reach new people. Through these limited drop-style collaborations Stanley were able to create this perception of scarcity, causing fans and people to feel pressure to buy a tumbler before they miss the boat. 

(Photo via HerCampus)

An even greater example of drop culture and FOMO marketing is the recent limited edition Stanley x Starbucks Valentines collection. The cups come in two bright Barbie pink and red shades. Not only have the videos of shoppers been storming our FYP’s as we’ve mentioned, but the cups are even being resold for double the price on sites like eBay. It’s crazy to think a cup can create such high demand – but this is exactly how exclusive drops can make you feel like you’re missing out if you don’t purchase and add to your collection.

So yes, whilst the rise of the Stanley Cup was part down to luck and part down to social media and influencer marketing, it’s also an effective example of how experimenting with drop culture can be a useful tool to implement for the success of a product.  

TO WRAP UP…

What was once a humble ‘camping cup’, has now evolved into social media’s ‘IT GIRL’ product of 2023. Stanley’s success story is one that brands should really look to as an example of the transformative influence of social media and influencer marketing on public perception. 

But like most social media trends, there is often an expiry date, and Stanley could be nearing theirs.  However, in the meantime, we think the brand is going to continue to enjoy riding the wave. But ultimately there’ll be another shiny and exciting rival to push Stanley off the top, stay tuned to keep track of what social trend is next in vogue.

P.S

We even spotted a couple of new Stanleys floating around The Fifth’s office after Christmas… very well confirming that a few of us here have also been easily influenced by Stanley’s social media takeover!

E8EC222B-D2BE-431C-B77A-A0569A934996

Trendsetters

BINLEY MEGA CHIPPY

How A Local Chippy Turned Into A Viral TikTok Sensation

By Laina Claydon

Wednesday, 1st of June 2022

If you have TikTok you’ve probably heard of Binley Mega Chippy. The fish and chip shop in Coventry has blown up on TikTok (currently at over 200m views) and even has its own trending song.

A series of videos and memes based around Binley Mega Chippy started popping up on everyone’s FYP, and now there are queues of people eager to try the ‘Morbius Meal’. It has been quoted to have a ‘festival atmosphere’ as there is such a buzz surrounding the shop; sounds like a pretty great experience to go and collect your takeaway, right?

Who doesn’t love the British sense of humour? Surely no other country would make a random suburban chip shop a viral sensation.

While the randomness is what makes it funny, is there something else going on underneath the surface? 

It can be tricky to understand the origins of a viral trend on TikTok, when there’s so much related content and chronologically ranking isn’t an option (except on a profile page). However, with the Binley Mega Chippy trend playing out in real time we are able to unpick it.

@craigskebabhouse (currently 2k followers) started posting videos on the 20th April. Heavily leaning into the lo-fi aesthetic of the platform, it is essentially a budget slideshow of budget UK food and drink items like Rustlers burgers and K Cider. The audio on these posts is a mix of drum’n’bass and happy hardcore, appealing to an audience who like to celebrate the irony of budget British things.

One of these posts on 26th April was a slideshow of chip shops and kebab outlets including ‘Jason Donervan’ (genius), ‘Phil’s Yer Tum Fish & Chips’ and, of course, ‘Binley Mega Chippy’.

From here, on 18th May, an account called @binleymegachippyfan53 (currently 8k followers) started an appreciation account of BMC, with each video consciously utilising viral sounds, referencing Stella Artois, Anime and also tapping into macro mainstream British news – with references to Prince Philip (341k views). Combined with the Queen’s imminent Platinum Jubilee celebrations, this awareness of topical news may be a factor.

Further to this, there is another trend that has been taking place for a while; ‘Blokecore’ – recently picked up by fashion magazines as well as mainstream media, the trend took a foothold on TikTok, and has spilled out onto the streets, with young guys in particular wearing 90s football shirts to go to the pub even when there is no football on TV. There is some psychology behind this too; in a time when people are coming back together ‘post-covid’, wearing clothes that are nostalgic and a celebration of coming together as a group of friends feels relevant. 

@nicksfits My guide to Bloke Core! Love this “trend” because I love the sport!U should get into it too! I’ll tag Lukas in the comments as well! #greenscreen #fashion #fashiontiktok #blokecore #fashioninspo #fyp #fashion101 ♬ original sound - Nick Ramos 🃏

Another aspect, which plays a part, is that Coventry, where Binley Mega Chippy is located, happens to have just hosted Radio 1’s Big Weekend and is also this year’s UK Capital of Culture. With increased attention on the city, while surely deserving, Coventry on the surface is potentially not an obvious choice for celebrating culture, so perhaps the timely rise in fame of Binley Mega Chippy comes with a sense of irony.

As for the audio (sonic branding can do wonders for a brand FYI), there is a feeling of familiarity to it, but it’s quite hard to place. Upon closer inspection it sounds very close to ‘For He’s A Jolly Good Fellow’ – another British classic (side note: this song is originally French, but adopted by the British). This is combined with the familiar text-to-audio voiceover making it feel native to TikTok.

A viral video is hard or even impossible to predict and engineer, however, wider trends and macro news events can provide the foundations and relevance that enable virality. Being aware of these is key to being agile. Who knows, maybe Binley Mega Chippy chips will collab with McCain and soon be available to buy in supermarkets. You heard it here first.